There's always a simpler way to do things. I firmly believe in working smarter, not harder.
We turn to custom brushes to help us get down redundant elements like foliage or scales with half the effort. We buy or create stencils so we can get down more accurate shapes without burning out our already precarious energy. Following this logic, this second acrylic painting went by a little quicker than the first due to me already having some paints mixed up from the last one, as well as the thumbnails being done in advance. The composition is similar to the first painting, to boot, and it all whittled an hour or two out of the process. I like it.
This is an aspect of the creation process I'm keeping in mind for future work. What are ways I can snip out a little of the grind? How can I reuse past thumbnails or similar ideas for new projects? I've got more .psd files than I'd like to admit stuffed to the brim with spontaneous painting concepts, which I...really should organize into their own folder. That's so much fertilizer for new work. If you've got some old, unfinished art lying around, consider pulling them back out again and giving them a review. You could just have a hidden gem languishing away unseen.
If you haven't read my first post for the first acrylic painting, check it out here. This character belongs to Khailed, a fellow illustrator who is currently open for icon and portrait commissions.
Without further ado!
To the left are a few of the thumbnails I did while working on the first acrylic painting. I was already solidly in the groove and felt like trying my hand at their original character as I let the other thumbs simmer. I adored their character's rosy ombre hair and little heart sweater (already similar to my own fashion sense). If you can't already tell, they have a knack for simple-and-striking designs. I've noticed how they tend to embody two or three poppy colors and a dominant fashion focal point, like a hat or a top. Really, they hearken to some of the best platformer characters of the 90's.
I haven't traditionally painted in almost a year.
You heard that right. Despite what you may hear in snooty art circles, it's not necessary to draw or paint every day to keep a skill alive. In fact, taking a break can be just as beneficial as hard practice. As it stands, 2020 burnt me out pretty hard. Not only was I running out of steam juggling several gigs throughout a stressful year, I pulled a muscle in my neck and upper shoulder in the middle of a hefty project and found myself bedridden for a week. I was popping Tylenol every six hours, struggling to walk further than my kitchen and, at one point, found myself dissolving into tears of frustration. That injury also happened right when my period started!
Yeah. That was a fun week.
It's worth noting that digital painting and traditional painting are similar enough as it is, so I technically never fell out of practice. Still, it was refreshing to revisit my old supplies and dip into a well-worn skill. A friend of mine sent me a wonderful custom postcard not too long afterwards, which made my whole month. They're a fantastic illustrator and designer looking to try their hand at packaging design soon (and you can find their portfolio here).
What better way to say thank you than with some art of my own?
Their (gorgeous!) postcard is to the left, while their fursona is to the right. It's a very minimalist and striking design, which is just perfect considering the color scheme I want to use. I gathered up some references, warmed up with some doodles, then got started on a slew of thumbs and roughs.
Here I post WIPs, sketches, speedpaints, thumbnails and anything else thrown into the veritable stew of artistic process.